#art

(Source: sashaudinov, via elenitahb)

3.11; The Rashomon Job / 4.17; The Radio Job

(via foxyfoxy)

(via worldnspins)

#at a certain point nate ford just resigns to the fact that none of his team members are actually human beings

elenitahb:

Hell, next time, give me the gun. I’m your Huckleberry.

AAAAAAHHHH I want to write a thousand books about the feelings this episode gave me at so many levels, like how perfectly the returning characters fitted into the team dyamic because it yuxtaposed beautifully with how they worked with each other in the first season, back when they were still finding new things about each other and just learning how to work together as a team. But I just looove how this show lets all its characters be actual human beings instead of ridiculous archetypes and these two men are negotiators. They’re not your typical rude thugs who like to punch people because it gives them a rush. They have class and manners and they’re good with words and analyzing the space around them. They keep a cool head in most situations and they don’t fight if they have another choice but mostly, when they do it, they like to do it with someone as good as they are, because any other fight wouldn’t be fair. And Eliot and Quinn don’t necessarily have to be friends but I love that they didn’t made them enemies either because they’re professional enough to be able to acknowledge how good the other is and respect him for it. Basically I just love how fucking competent and multilayered all these characters are, but mostly I adore how everytime this show brings ‘outside’ characters, it doesn’t just play with the differences/similarities between all of them (which is great and it always uses them right and I keep loving it for never wasting the potential these situations bring) but also use them to subtetly highlight how different the characters are from the beginning of the show. I already commented on this with the Nate/Maggie, Nate/Sterling dynamic, but this episode did that with the other characters too and it was beautiful and so well handled. 

Like Quinn wouldn’t have a problem with shooting a guy he doesn’t know just to get the job done, and Eliot’s hand shakes just at the idea of it because he’s not that man anymore and he still would be more than willing to do it to save Nate’s soul. And that’s the difference between them and that’s why these kind of episodes always make me sob and burst with love because ugh show your character development has no flaws; they’re not the same because they’ve known each other and now they care about other than themselves, and my favorite thing is how that doesn’t make them worse at what they do, completely dismissing the idea that loving and/or caring or making a character have actual feelings toward other characters doesn’t make them any less good, it actually makes them better and Leverage does this spectacularly because the whole emotional core of it it’s precisely how these characters are the best because they have each other. These kind of episodes make me super emotional and this stupid show keeps throwing them at me and I hate it (but I don’t, just please keep doing it forever, I’ll be here being a puddle of feelings waiting for more)

(via officerparker)

elenitahb:

TOP 5 ‘THE LAST DAM JOB’ CONTINUITY BONER MOMENTS

1.12 - The First David Job / 2.01 - The Beantown Bailout Job / 4.18. The Last Dam Job

anniekroy:

My favourite part is that they legitimately asked Nate for permission, like yes, this is a good plan, he will say yes because he love us, and their stupidly hopeful faces. May I remind you, you are all filthy rich also grown-ups. 

Nate took them for ice cream obvs. 

Either we have each other’s backs or we don’t.

(Source: catelynstarking)